Weaving the stray kings with wires of memories nothing ephemeral

Authors

  • Elizabeth Medeiros Pinto UFRGS e Educandário São João Batista

DOI:

https://doi.org/10.18316/1330

Keywords:

Maria Helena Lopes, Gaucho Theater, Brazilian theater, Tear - Theatrical Group, Improvisation, Clown, Memory, Trash

Abstract

The present work is the result of diving into the universe of the production and the presentations of the play the Stray Kings of the theater group Tear, of 1982, according to a reading in recollection of the Show (2010) by the participants of the creation as well as by their audience, besides the documents of that time (1982/83): show programs and reviews published in newspapers. Considered a landmark of the gaucho theater, in this play, its Director, Maria Helena Lopes, launched their key concepts of work: dramatic play, improvisation, clown techniques, and movement analysis.

Author Biography

Elizabeth Medeiros Pinto, UFRGS e Educandário São João Batista

Mestre em Artes Cênicas pelo PPGAC/UFRGS, 2010. Possui graduação em Teatro pela Universidade Federal do Rio Grande do Sul (1990) e graduação em Educação Física pela Universidade Federal do Rio Grande do Sul (1999), Especialização em Teoria do Teatro contemporâneo DAD/UFRGS. Atualmente é professora de teatro e educação física - Educandário São João Batista - Centro de Reabilitação

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Published

2013-12-18

Issue

No. 16 (2013)

Section

Dossiê

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