Fortuna Labilis. A baroque topic in the artistic work of Juan Maniel Blanes.

Authors

  • William Rey Ashfield

DOI:

https://doi.org/10.18316/mouseion.v0i26.3576

Keywords:

Historical Paitings, Fortuna Labilis, Emblematic, Baroque

Abstract

The continuity of certain topics of Baroque culture in the nineteenth-century Latin American art can also occur in the work of Uruguayan artist Juan Manuel Blanes. Uruguay and Argentina historiography emphasized the importance of this author as a representative of academic painting and as a key player in building a national icon-sphere. However, little research has been done about the survival of images and ideas that come from a pre-enlightened past; nor about the links with the flagship, carrying a body of literature of ideas and images that transformed and adjusted to new genres such as history painting, they are kept alive in his work, until the late nineteenth century.

Author Biography

William Rey Ashfield

Doctor en Historia del Arte/ Universidad Pablo de Olavide Sevilla, España

Magister en Gestión del Patrimonio Artístico/ Universidad Pablo de Olavide Sevilla, España

Arquitecto/Universidad de la República, Montevideo, Uruguay.

Published

2017-04-27

Issue

Section

Dossiê