Room: a close into the imaginary

Authors

  • Luana Jéssica Oliveira Carmo Centro Federal de Educação Tecnológica de Minas Gerais
  • Marcella Barbosa Miranda Teixeira Centro Federal de Educação Tecnológica de Minas Gerais
  • Rita de Cássia Leal Campos Centro Federal de Educação Tecnológica de Minas Gerais
  • Lilian Bambirra de Assis Centro Federal de Educação Tecnológica de Minas Gerais

DOI:

https://doi.org/10.18316/dialogo.v0i43.5668

Keywords:

Room, autonomy, social imaginary, film analysis

Abstract

This article aims to analyze in the light of Castoriadis (1982, 1999) how one constructs the imaginary in the film Room. For that, a notion of subject, autonomy and heteronomy, the imaginary of the being and the social imaginary are approached. The social imaginary can be recreated according to a social structure in which the subject is inserted. It is related to autonomy insofar as the subject accepts being trapped in social networks or seeks to resist them by recreating their history. From the analysis of the film it is understood that autonomy is not related to physical freedom, but to psychic freedom.

Author Biographies

Luana Jéssica Oliveira Carmo, Centro Federal de Educação Tecnológica de Minas Gerais

Mestra em Administração - CEFET/MG

Marcella Barbosa Miranda Teixeira, Centro Federal de Educação Tecnológica de Minas Gerais

Mestra em Administração - CEFET/MG

Rita de Cássia Leal Campos, Centro Federal de Educação Tecnológica de Minas Gerais

Mestra em Administração - CEFET/MG

Lilian Bambirra de Assis, Centro Federal de Educação Tecnológica de Minas Gerais

Doutora em Administração - UFMG 

Professora do Departamento de Ciências Sociais Aplicadas do CEFET/MG

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Published

2020-04-13

Issue

No. 43 (2020)

Section

Articles

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